Death in Modern Theatre by
Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
Encyclopedia of Latin American Theater by
Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements. The volume begins with an overview of the development of theater in Latin America. Each of the country sections begins with an introductory survey and concludes with copious bibliographical information. The entries for playwrights provide factual information about the dramatist's life and works and place the author within the larger context of international literature. Each entry closes with a list of works by and about the playwright. A selected, general bibliography appears at the end of the volume.
Movements of Interweaving by
Movements of Interweaving is a rich collection of essays exploring the concept of interweaving performance cultures in the realms of movement, dance, and corporeality. Focusing on dance performances as well as on scenarios of cultural movements on a global scale, it not only challenges the concept of intercultural dance performances, but through its innovative approach also calls attention to the specific qualities of "interweaving" as a form of movement itself. Divided into four sections, this volume features an international team of scholars together developing a new critical perspective on the cultural practices of movement, travel and migration in and beyond dance.
Josephine Baker and Katherine Dunham by
Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham's films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining--within significant confines--new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.
Speaking in Shakespeare's Voice by
Speaking in Shakespeare's Voice: A Guide for American Actors is a book for undergraduate and graduate students of acting as well as for the professional who would like to perform Shakespeare with the skill of a classical actor. It is also valuable for European actors interested in performing Shakespeare in American English and British actors who would like to explore Shakespeare from an American perspective. This guide focuses on the technical elements of voice and speech, including breathing, resonance, and diction, as well as providing an introduction to verse speaking and scansion and to Shakespeare's rhetorical devices, such as antithesis, alliteration, onomatopoeia, irony, metaphor, and wordplay. These topics are annotated with examples from Shakespeare's plays to demonstrate how an actor can apply the lessons to actual performance. The book also explores the history of Shakespearean performance in the United States and provides guidance on current editions of Shakespeare's text from the Folio to online Open Source Shakespeare. A helpful appendix offers examples of two-person scenes and contextualized monologues.
Best Women's Monologues Of 2019 by
Welcome to our new book of monologues for women, chosen for you by the team at True Acting Institute. The monologues that have been chosen are presented here in the book along with details about the playwrights.
All books and other materials in the library are organized by call number. Most call numbers are based on the Library of Congress classification system, which organizes materials by subject. The following demonstrates how materials about theater are organized in the library. (Note that this is only a partial list.) How to Borrow from the CSUEB Libraries.
Description |
LC (call number area) |
|---|---|
|
Costume. Dress. Hair. Cosmetics. Fashion. Masks |
GT 500 - GT 2370, TT - TX 340
|
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Architecture. Theaters. Scene Painting. Textiles. |
NA, NA 6820-6845, ND 2885, NK 8802-8998 |
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Dramatic representation. The theater includes:
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PN2000 - PN3307 *Drama and broader topics on drama start in PN1600- PN3307 **Dramatic texts, history & criticism, collections, etc. can also be located within language sections, i.e. **Notice it is VERY Eurocentric...
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Acting by
A groundbreaking, cross-cultural reference work exploring the diversity of expression found in rituals, festivals, and performances, uncovering acting techniques and practices from around the world. * A-Z entries span every region of the world and cover diverse topics from Ireland's Abbey Theatre to China's Zhang Mu (rod-puppet theater) * Beautiful illustrations include masks used in classical Greek dramas, an advertisement for a performance of Punch and Judy, the humorous puppet characters, and photographs of actors, performances, and ceremonies from Monty Python to young Balinese dancers performing the Legong dance
International Encyclopedia of Dance by 
The Oxford Dictionary of Dance by
Over the last twenty years the boundaries of dance have been radically redrawn. There has been an explosion of new activity within traditional forms like ballet, a stream of new dance languages invented by fresh generations of choreographers, and there is a growing appreciation in the West ofdance forms from the rest of the world. Fans today are likely to attend performances in classical ballet, Spanish flamenco, Indian Bharata Natyam, Japanese Butoh, jazz, modern and post-modern dance. In classical ballet they may see companies as varied as the New York City Ballet, Bolshoi, or ParisOpera. In modern dance they may see work that stems from the Graham or the Cunningham schools of movement; while in post-modern dance they may be watching choreographers who mix influences as varied as folk dance, T'ai Chi, Balanchine, and Mary Wigman, or who may be practitioners of Eurocrash,minimalism, contact improvisation or release.This new dictionary by two leading and authoritative writers on dance will provide the information necessary for dance fans to navigate the diverse modern dance scene. With an emphasis on performance the dance we see in theatres today - readers will find both fact and analysis on a wide range ofsubjects from dancers and choreographers to dance styles and technical terms.
The Oxford Encyclopedia of Theatre and Performance by 
