The University Libraries welcomes you in exploring and learning more about the resources available to you both via the University Libraries and elsewhere in the community to learn more about Native people in our local community.
For more information about the resources highlighted on this page, please reach out to Daisy Muralles or Sharon Radcliff.
The Sacred Hoop by 
Lakota Woman by
The bestselling memoir of a Native American woman's struggles and the life she found in activism: "courageous, impassioned, poetic and inspirational" (Publishers Weekly). Mary Brave Bird grew up on the Rosebud Indian Reservation in South Dakota in a one-room cabin without running water or electricity. With her white father gone, she was left to endure "half-breed" status amid the violence, machismo, and aimless drinking of life on the reservation. Rebelling against all this--as well as a punishing Catholic missionary school--she became a teenage runaway. Mary was eighteen and pregnant when the rebellion at Wounded Knee happened in 1973. Inspired to take action, she joined the American Indian Movement to fight for the rights of her people. Later, she married Leonard Crow Dog, the AIM's chief medicine man, who revived the sacred but outlawed Ghost Dance. Originally published in 1990, Lakota Woman was a national bestseller and winner of the American Book Award. It is a story of determination against all odds, of the cruelties perpetuated against American Indians, and of the Native American struggle for rights. Working with Richard Erdoes, one of the twentieth century's leading writers on Native American affairs, Brave Bird recounts her difficult upbringing and the path of her fascinating life.
Mohawk Interruptus by
Mohawk Interruptus is a bold challenge to dominant thinking in the fields of Native studies and anthropology. Combining political theory with ethnographic research among the Mohawks of Kahnawà:ke, a reserve community in what is now southwestern Quebec, Audra Simpson examines their struggles to articulate and maintain political sovereignty through centuries of settler colonialism. The Kahnawà:ke Mohawks are part of the Haudenosaunee or Iroquois Confederacy. Like many Iroquois peoples, they insist on the integrity of Haudenosaunee governance and refuse American or Canadian citizenship. Audra Simpson thinks through this politics of refusal, which stands in stark contrast to the politics of cultural recognition. Tracing the implications of refusal, Simpson argues that one sovereign political order can exist nested within a sovereign state, albeit with enormous tension around issues of jurisdiction and legitimacy. Finally, Simpson critiques anthropologists and political scientists, whom, she argues, have too readily accepted the assumption that the colonial project is complete. Belying that notion, Mohawk Interruptus calls for and demonstrates more robust and evenhanded forms of inquiry into indigenous politics in the teeth of settler governance.
Song of the Turtle by
* Sherman Alexie * Paula Gunn Allen * Esther Belin * Betty Louis Bell * Beth Brant * Joseph Bruchac * Michelle Clinton * Robert J. Conely * Dan L. Crank * Michael Dorris * Debra Earling * Louise Erdrich * Diane Glancy * Roxy Gordon * Joy Harjo * Linda Hogan * Dean Ing * Thomas King * Lee Maracle * N. Scott Momaday * Louis Owens * Opal Lee Popkes * Susan Power * D. Renville * Ralph Salisbury * Leslie Marmon Silko * Patricia Clark Smith * Martin Cruz Smith * Mary Randle TallMountain * Luci Tapahonso * Alice Walker * Karen Wallace * Anna Lee Walters * Emma Lee Warrior * James Welch In this stunning collection of American Indian literature, scholar and literary critic Paula Gunn Allen gathers together the best Native writing--indeed, some of the best American writing--from the last two decades. Song of the Turtle creates an eloquent cycle of story and self-exploration from the works of both major writers and emerging talents, and represents a unique survey of contemporary Native American work. In more than thirty luminous stories, American Indian writers explore the ways in which spirituality, ritual, and identity infuse and define the contemporary Native world. Patricia Clark Smith creates an Albuquerque housewife seduced by the music of the Hump Back Flute Player. Louise Erdrich immerses us in danger, conflict, and mystery during an evening of bingo. Michael Dorris tells a droll tale of courtship in a gynocentric Native society. Recent Native fiction is a powerful sign of the sense of renewal and hope emanating from urban neighborhoods, rural communities, and reservations. This sense arises from the collision of despair, rage, laughter, and celebration, the intense meeting of the ancient and the not-yet-come. From it Allen has created Song of the Turtle, the canon of the future and an immensely powerful contribution to American literature.
The Antelope Wife by
"A fiercely imagined tale of love and loss, a story that manages to transform tragedy into comic redemption, sorrow into heroic survival." --New York Times "[A] beguiling family saga....A captivating jigsaw puzzle of longing and loss whose pieces form an unforgettable image of contemporary Native American life." --People A New York Times bestselling author, a Pulitzer Prize finalist, and winner of the National Book Critics Circle Award, Louise Erdrich is an acclaimed chronicler of life and love, mystery and magic within the Native American community. A hauntingly beautiful story of a mysterious woman who enters the lives of two families and changes them forever, Erdrich's classic novel, The Antelope Wife, has enthralled readers for more than a decade with its powerful themes of fate and ancestry, tragedy and salvation. Now the acclaimed author of Shadow Tag and The Plague of Doves has radically revised this already masterful work, adding a new richness to the characters and story while bringing its major themes into sharper focus, as it ingeniously illuminates the effect of history on families and cultures, Ojibwe and white.
House Made of Dawn by
This 1969 Pulitzer Prize-winning novel tells the story of a young American Indian struggling to reconcile the traditional ways of his people with the demands of the 20th century.Copyright © Libri GmbH. All rights reserved.
Bearheart by
Bearheart, Gerald Vizenors first novel, overturns OC terminal creedsOCO and violence in a decadent material culture. American civilization has collapsed and Proude Cedarfair, his wife, Rosina, and a bizarre collection of disciples, are forced on a pilgrimage when government agents descend on the reservation to claim their sacred cedar trees for fuel. The tribal pilgrims reverse the sentiments of Manifest Destiny and travel south through the ruins of a white world that ran out of gas."
There There by
ONE OF THE 10 BEST BOOKS OF THE YEAR--THE NEW YORK TIMES BOOK REVIEW WINNER OF THE CENTER FOR FICTION FIRST NOVEL PRIZE One of the Best Books of the Year: The Washington Post, NPR, Time, O, The Oprah Magazine, San Francisco Chronicle, Entertainment Weekly, The Boston Globe, GQ, The Dallas Morning News, Buzzfeed, BookPage, Publishers Weekly, Library Journal, Kirkus Reviews NEW YORK TIMES BEST-SELLER Tommy Orange's "groundbreaking, extraordinary" (The New York Times) There There is the "brilliant, propulsive" (People Magazine) story of twelve unforgettable characters, Urban Indians living in Oakland, California, who converge and collide on one fateful day. It's "the year's most galvanizing debut novel" (Entertainment Weekly). As we learn the reasons that each person is attending the Big Oakland Powwow--some generous, some fearful, some joyful, some violent--momentum builds toward a shocking yet inevitable conclusion that changes everything. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle's death and has come to work at the powwow to honor his uncle's memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will to perform in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss. There There is a wondrous and shattering portrait of an America few of us have ever seen. It's "masterful . . . white-hot . . . devastating" (The Washington Post) at the same time as it is fierce, funny, suspenseful, thoroughly modern, and impossible to put down. Here is a voice we have never heard--a voice full of poetry and rage, exploding onto the page with urgency and force. Tommy Orange has written a stunning novel that grapples with a complex and painful history, with an inheritance of beauty and profound spirituality, and with a plague of addiction, abuse, and suicide. This is the book that everyone is talking about right now, and it's destined to be a classic.
Iwígara by
Tap into thousands of years of plant knowledge The belief that all life-forms are interconnected and share the same breath--known in the Rarámuri tribe as iwígara--has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique Salmón builds on this concept of connection and highlights 80 plants revered by North America's indigenous peoples. Salmón teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths. Discover in these pages how the timeless wisdom of iwígara can enhance your own kinship with the natural world.
Indigenous Cosmolectics by
Latin America's Indigenous writers have long labored under the limits of colonialism, but in the late twentieth and twenty-first centuries, they have constructed a literary corpus that moves them beyond those parameters. Gloria E. Chacon considers the growing number of contemporary Indigenous writers who turn to Maya and Zapotec languages alongside Spanish translations of their work to challenge the tyranny of monolingualism and cultural homogeneity. Chacon argues that these Maya and Zapotec authors reconstruct an Indigenous literary tradition rooted in an Indigenous cosmolectics, a philosophy originally grounded in pre-Columbian sacred conceptions of the cosmos, time, and place, and now expressed in creative writings. More specifically, she attends to Maya and Zapotec literary and cultural forms by theorizing kab'awil as an Indigenous philosophy. Tackling the political and literary implications of this work, Chacon argues that Indigenous writers' use of familiar genres alongside Indigenous language, use of oral traditions, and new representations of selfhood and nation all create space for expressions of cultural and political autonomy. Chacon recognizes that Indigenous writers draw from universal literary strategies but nevertheless argues that this literature is a vital center for reflecting on Indigenous ways of knowing and is a key artistic expression of decolonization.
Night Is a Sharkskin Drum by
Night Is a Sharkskin Drum is a lyrical evocation of Hawaii by a Native poet whose ancestral land has been scarred by tourism, the American military, and urbanization. Grounded in the ancient grandeur and beauty of Hawaii, this collection is a haunted and haunting love song for a beloved homeland under assault.
Pueblo Nations by
Pueblo Nations is the story of a vital and creative culture, of a people sustained by ages-old traditions and beliefs, who have adapted to the radical challenges of the modern world. Written by a respected writer, educator, and elder of the Jemez Pueblo, this rare, insider's view of the history of the 19 Indian Pueblos of New Mexico illuminates Pueblo historical traditions dating from millennia before the arrival of Columbus and chronicles the events and changes of the European era from the perspective of those who experienced them. Drawing on both traditional oral history and written records, Sando describes the origin and development of Pueblo civilization, the Spanish conquest and occupation, the Pueblo Revolt of 1680, and the response of the pueblos to Mexican independence and conquest by the United States. Sando offers several portraits of notable Pueblo leaders whose contributions have helped shape the history of their people. He looks at internal developments in Pueblo government and presents a detailed account of the unremitting struggle to retain sovereignty, land, and water rights in the face of powerful outside pressures.
Crossing Borders by
The second part of the life of the Nobel prize-winning activist, telling of her flight from Guatamala in 1981 to escape persecution and her eventual return in 1988 as a representative of the opposition in exile. The text is both the tale of a political campaign and a homage to Mayan life.
I, Rigoberta Menchú by 
Braiding Sweetgrass by
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings offer us gifts and lessons, even if we’ve forgotten how to hear their voices.
Dwellings by
A first collection of essays by a Chickasaw poet and novelist considers such subjects as bats, bees, porcupines, wolves, and caves while regarding the earth as humankind's universal home.
The Woman Who Watches over the World by
"I Sat Down to write a book about pain and ended up writing about love", says award-winning Chickasaw poet and novelist Linda Hogan. In this book, she recounts her own difficult childhood as the daughter of an army sergeant, her love affair at age fifteen with an older man, the legacy of alcoholism, and the troubled history of the two daughters she adopted. She shows how historic and emotional pain are passed down through generations while revealing her own struggles with physical pain, and she blends personal history with stories of important Indian figures of the past such as Lozen, the woman who was the military strategist for Geronimo, and Ohiyesha, the Santee Sioux medical doctor who witnessed the massacre at Wounded Knee. Ultimately, Hogan sees herself and her people whole again and gives us an illuminating story of personal spiritual triumph.
When My Brother Was an Aztec by
"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it-- He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.
Borderlands (La Frontera) by 
Cal State East Bay is on Chochenyo Ohlone and Bay Miwok land. Whose land are you on?
For those living or working on Ohlone territory, we want to highlight the organization Sogorea Te’ which is an urban, Indigenous, women-led land trust that facilitates the return of Indigenous land to Indigenous people through voluntary Shuumi payments by non-indigenous people.
As Long as the Grass Grows: The Indigenous Fight for Environmental Justice, from Colonization to Standing Rock by
The story of Native peoples’ resistance to environmental injustice and land incursions, and a call for environmentalists to learn from the Indigenous community’s rich history of activism Through the unique lens of “Indigenized environmental justice,” Indigenous researcher and activist Dina Gilio-Whitaker explores the fraught history of treaty violations, struggles for food and water security, and protection of sacred sites, while highlighting the important leadership of Indigenous women in this centuries-long struggle. As Long As Grass Grows gives readers an accessible history of Indigenous resistance to government and corporate incursions on their lands and offers new approaches to environmental justice activism and policy.
All Our Relations by
Haymarket Books proudly brings back into print Winona LaDuke's seminal work of Native resistance to oppression. This thoughtful, in-depth account of Native struggles against environmental and cultural degradation features chapters on the Seminoles, the Anishinaabeg, the Innu, the Northern Cheyenne, and the Mohawks, among others. Filled with inspiring testimonies of struggles for survival, each page of this volume speaks forcefully for self-determination and community. Winona LaDuke was named by Time in 1994 as one of America's fifty most promising leaders under forty. In 1996 and 2000, LaDuke served as Ralph Nader's vice presidential running mate in the Green Party.
Eating the Landscape by
"Eating is not only a political act, it is also a cultural act that reaffirms one's identity and worldview," Enrique Salmón writes in Eating the Landscape. Traversing a range of cultures, including the Tohono O'odham of the Sonoran Desert and the Rarámuri of the Sierra Tarahumara, the book is an illuminating journey through the southwest United States and northern Mexico. Salmón weaves his historical and cultural knowledge as a renowned indigenous ethnobotanist with stories American Indian farmers have shared with him to illustrate how traditional indigenous foodways--from the cultivation of crops to the preparation of meals--are rooted in a time-honored understanding of environmental stewardship. In this fascinating personal narrative, Salmón focuses on an array of indigenous farmers who uphold traditional agricultural practices in the face of modern changes to food systems such as extensive industrialization and the genetic modification of food crops. Despite the vast cultural and geographic diversity of the region he explores, Salmón reveals common themes: the importance of participation in a reciprocal relationship with the land, the connection between each group's cultural identity and their ecosystems, and the indispensable correlation of land consciousness and food consciousness. Salmón shows that these collective philosophies provide the foundation for indigenous resilience as the farmers contend with global climate change and other disruptions to long-established foodways. This resilience, along with the rich stores of traditional ecological knowledge maintained by indigenous agriculturalists, Salmón explains, may be the key to sustaining food sources for humans in years to come. As many of us begin to question the origins and collateral costs of the food we consume, Salmón's call for a return to more traditional food practices in this wide-ranging and insightful book is especially timely. Eating the Landscape is an essential resource for ethnobotanists, food sovereignty proponents, and advocates of the local food and slow food movements.
The World We Used to Live In by
The world lost a courageous leader and a treasured friend with the passing of Vine Deloria Jr. He was and is one of the greatest spiritual thinkers of our time. Before his death, Deloria was re-examining Native spirituality. His years of collecting Native stories of the medicine men, and exploring spirituality from different perspectives are brought together in this book. Although Deloria was annoyed and disapproving of the commercialization of Native spirituality (sweat lodges conducted for $50, peyote meetings for $1,500, medicine drums for $300), he did not wish to chastise those finding solace in these pseudo rituals. Instead, he wanted to open people's eyes to the rituals and ceremonies as they were originally intended--to stop the empty recitation of songs and blessings and bring meaning and spirit back to the sacred Native rites. To do so, he explored the medicine men, their powers, and the Earth's relation to the cosmos.
The Native American Experience by
Three powerful tales from the acclaimed chronicler of the American West--including the #1 New York Times bestseller, Bury My Heart at Wounded Knee. Two profoundly moving, candid histories and a powerful novel illuminate important aspects of the Native American story. Bury My Heart at Wounded Knee: The #1 New York Times bestseller that awakened the world to the destruction of American Indians in the nineteenth-century West, Dee Brown's groundbreaking history focuses on the betrayals, battles, and systematic slaughter suffered by Native American tribes between 1860 and 1890, culminating in the Sioux massacre at Wounded Knee. "Shattering, appalling, compelling . . . One wonders, reading this searing, heartbreaking book, who, indeed, were the savages" (The Washington Post). The Fetterman Massacre: A riveting account of events leading up to the Battle of the Hundred Slain--the devastating 1866 conflict at Wyoming's Ft. Phil Kearney that pitted Lakota, Arapaho, and Northern Cheyenne warriors--including Oglala chief Red Cloud, against the United States cavalry under the command of Captain William Fetterman. Based on a wealth of historical resources and sparked by Brown's narrative genius, this is an essential look at one of the frontier's defining conflicts. Creek Mary's Blood: This New York Times bestseller fictionalizes the true story of Mary Musgrove--born in 1700 to a Creek tribal chief--and five generations of her family. The sweeping narrative spans the Revolutionary War, the Trail of Tears, and the Civil War--in which Mary's descendants fought on both sides of the conflict. Rich in detail and human drama, Creek Mary's Blood offers "a robust, unfussed crash-course in Native American history that rolls from East to West with dark, inexorable energy" (Kirkus Reviews).
The Round House by
The Round House won the National Book Award for fiction. One of the most revered novelists of our time--a brilliant chronicler of Native-American life--Louise Erdrich returns to the territory of her bestselling, Pulitzer Prize finalist The Plague of Doves with The Round House, transporting readers to the Ojibwe reservation in North Dakota. It is an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family. Riveting and suspenseful, arguably the most accessible novel to date from the creator of Love Medicine, The Beet Queen, and The Bingo Palace, Erdrich's The Round House is a page-turning masterpiece of literary fiction--at once a powerful coming-of-age story, a mystery, and a tender, moving novel of family, history, and culture.
Ceremony by
Ceremony is a novel by writer Leslie Marmon Silko, first published by Penguin in March 1977. The title Ceremony is based upon the oral traditions and ceremonial practices of the Navajo and Pueblo people
