In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve.
Caring for Our Own inverts an enduring question of social welfare politics. Rather than ask why the American state hasn’t responded to unmet social welfare needs by expanding social entitlements, this book asks: Why don’t American families view unmet social welfare needs as the basis for demands for new state entitlements? The answer, Sandra Levitsky argues, lies in a better understanding of how individuals imagine solutions to the social welfare problems they confront and what prevents new understandings of social welfare provision from developing into political demand for alternative social arrangements
The reasons behind the increase in autism diagnoses have become hotly contested in the media as well as within the medical, scholarly, and autistic communities. Jordynn Jack suggests the proliferating number of discussions point to autism as a rhetorical phenomenon that engenders attempts to persuade through arguments, appeals to emotions, and representational strategies.
With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico’s twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution’s timeline (1910–1917) corresponds with the emergence of media culture and modernity.
The Paleoindian Clovis culture is known for distinctive stone and bone tools often associated with mammoth and bison remains, dating back some 13,500 years. While the term Clovis is known to every archaeology student, few books have detailed the specifics of Clovis archaeology.
Paganistan – a moniker adapted by the Twin Cities Contemporary Pagan community – is the title of a history and ethnography of a regionally unique, urban, and vibrant community in Minnesota.
A volume of essays on the role of propaganda, mass media, and culture in the development of the Cold War in Europe. Exploring a dimension of the political and diplomatic rivalry of interest to historians principally in the last decade, these essays explore the cultural dimensions of the early Cold War.
Across scholarship on gender and sexuality, binaries like female versus male and gay versus straight have been problematized as a symbol of the stigmatization and erasure of non-normative subjects and practices. The chapters in Queer Excursions offer a series of distinct perspectives on these binaries, as well as on a number of other, less immediately apparent dichotomies that nevertheless permeate the gendered and sexual lives of speakers.
Wendy Rodrigue’s book ‘The Other Side of the Painting’ derives from her popular blog Musings of An Artist’s Wife. ‘She’s the other side of my hit record,’ joked Wendy’s husband, artist George Rodrigue, the impetus for the original online project, as it began in 2009. In the book, Wendy reveals for the first time the personal history behind Rodrigue’s art.
In the United States, advertising has carved out an essential place in American culture, and advertising messages undoubtedly play a significant role in determining how people interpret the world around them. This three-volume set examines the myriad ways that advertising has influenced many aspects of 20th-century American society, such as popular culture, politics, and the economy. Advertising not only played a critical role in selling goods to an eager public, but it also served to establish the now world-renowned consumer culture of our country and fuel the notion of “the American dream.”
This book serves as a response to passionate discussions regarding how librarians are perceived. Through twelve chapters, the book reignites an examination of librarian presentation within the field and in the public eye, employing theories and methodologies from throughout the social sciences. The ultimate goal of this volume is to launch productive discourse and inspire action in order to further the positive impact of the information professions. Through deconstructing the perceived truths of our profession and employing a critical eye, we can work towards improved status, increased diversity, and greater acceptance of each other.
The present boom in popular history is not unprecedented. The contributions to this volume investigate peaks of historical interest which favour popular approaches from around 1800 to the present. They analyse the media, genres and institutions through which historical knowledge has been disseminated — from artefacts to the archive, from poetry to photography, from music to murals, and from periodicals to popular TV series.
Born in 1953, Stein Erik Lunde has written sixteen books, mostly for children and young adults. His books have been published in many countries. This is his first book to be published in the United States. He also writes lyrics and has translated Bob Dylan into Norwegian. In 2009 My Father’s Arms Are A Boat was awarded the Norwegian Ministry’s Culture Prize for the Best Book for Children and Youth. The book was also nominated for the 2011 German Children’s Literature Award.
In this first book-length study of media images of multiracial Asian Americans, Leilani Nishime traces the codes that alternatively enable and prevent audiences from recognizing the multiracial status of Asian Americans. Nishime’s perceptive readings of popular media–movies, television shows, magazine articles, and artwork–indicate how and why the viewing public often fails to identify multiracial Asian Americans. Using actor Keanu Reeves and the Matrix trilogy, golfer Tiger Woods as examples, Nishime suggests that this failure is tied to gender, sexuality, and post-racial politics.
Editors Milbrey McLaughlin and Rebecca A. London, leaders of the Youth Data Archive, bring together participants who describe the initiative and its challenges and successes. The participants also give detailed background on how the archive was built and how it has led to improvements in services, particularly for children at risk. This book is a welcome guide for educators, civic leaders, and researchers looking for ways to leverage data to identify the most effective policies, interventions, and use of resources for their communities.